《乡土中国》着眼于蕴含在广袤大地上的中华民族优秀传统文化，深入探究其中的农耕文明基因，承载和寻找乡愁，传播农耕文明中最质朴的亲情文化，以内外景结合的方式展开节目，夹叙夹议，实现优秀传统文化的传承发展。地址：北京市海淀区中关村南大街10号《乡土中国》栏目

弘扬乡土文化，展现民间风采，这是 CCTV - 7 主推的纪录片特色。该纪录片从文化角度出发，深入发掘并展现一方水土的民俗、风物以及各类民间文化样式。它着重展示民间艺人的绝活绝技，揭秘他们鲜为人知的艺术人生，生动呈现一个地区的人文品格。通过精心提纯打造，为当地塑造独特的文化名片，助力宣传当地的软实力、人文环境和文化发展，为塑造地区良好形象贡献力量。

故事讲述了已故党委书记闫胜联在新时代背景下，深入实施乡村振兴，带领乡亲们踏踏实实走上乡村振兴道路的故事。

弘乡土文化,展民间风采，CCTV-7主推的纪录片，从文化的视角发掘展现一方水土的民俗、风物和各类民间文化样式，展示民间艺人的绝活绝技以及他们鲜为人知的艺术人生，呈现一个地区的人文品格，提纯打造一个地区的文化名片，为宣传当地的软实力、人文环境和文化发展、塑造地区良好形象做贡献。

长大后，总会面对这个问题：我是否应该把一个孩子带到这个世界？关于生育、关于女性身体、关于我们的未来。

一个年轻的花花公子，他得知直到他变的不育时还有一个月，于是决心尽可能的去创造更多

一个年轻的花花公子，他得知直到他变的不育时还有一个月，于是决心尽可能的去创造更多

A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? 　　The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. 　　The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. 　　By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

Coppola’s ‘Custom’ was announced in May 2020, but by the end of 2021, the project was nixed. “They pulled our funding,” Coppola said. “It’s a real drag. I thought they had endless resources.” 　　Coppola further explains that she planned for “Custom” to be “five ‘Marie Antoinettes,” referring to her 2006 film, which cost $45 million to make. 　　“They didn’t get the character of Undine,” Coppola said of Apple executives, who she described as “mostly dudes.” “She’s so ‘unlikable.’ But so is Tony Soprano! … It was like a relationship that you know you probably should’ve gotten out of a while ago.” 　　Coppola previously told The New York Times that her five-hour adaptation was nixed by Apple because they hated “the idea of an unlikable woman,” adding “it wasn’t their thing […] that’s what I’m saying about who’s in charge.”

长大后，总会面对这个问题：我是否应该把一个孩子带到这个世界？关于生育、关于女性身体、关于我们的未来。